The sky looks fierce like a Maenad whose hair streams in the wind. Stanzas 4-5 Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow grey with fear, And tremble and despoil themselves: O hear! The movement slows down in Stanza 3 and then gains rapidity in line with the poet's impetuous spirit, as he drives to the close. But then, part way through the second line, a shift occurs. This helps Shelley begin to work towards a final climax. In keeping with his terza nina stanza, he concentrates on the effects of the west wind on three classes of objects: leaves, clouds, and water.
Shelley spent the majority of his life in England where he was born to an upper class family. Pirie is not sure of that either. It can objectively take away life in one season and lay nature to its death; while spurring reproduction to bestow life in another season. The wind is free, and he wishes that he were like it. Each of these is 'iamb' five times - 'pentameter. At a deeper level, this anxiety and palpitation may reflect intense foreboding of the existing powers of the earth, on getting an inkling of a deliberate change. To explain the appearance of an underwater world, it might be easier to explain it by something that is realistic; and that might be that the wind is able to produce illusions on the water.
The sky's clouds' are 'like Earth's decaying leaves'. Once again Shelley is entreating the Wind to hear. Wind does not target individual elements with death; it objectively guides the process. A strong personal note is evident in this stanza. So it goes exactly like this: 'O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead Are driven like ghosts from an enchanter fleeing' You can see we start with that A-B-A; we've got 'being,' 'dead' and then 'fleeing. Yellow, black and pale are hues associated with death or dying.
It also indicates that after the struggles and problems in life, there would always be a solution. One more thing that one should mention is that this canto sounds like a kind of prayer or confession of the poet. He wishes that he were any of those things and so be moved by the wind. You just do this five more times. Ode to the West Wind is a poem addressed to the west wind. The imagery in line 11 demands the reader's own creative contribution.
He did 'Nightengale' and 'Grecian Urn. Being set in Autumn, Shelley observes the changing of the weather and its effects on the internal and external environment. With Shelley, this direction was liberty and democracy. The third image is connected to death and the tomb. This nice, pretty image is followed by another, more sinister one.
That way we don't get complacent in our poetry reading! Shelley manages to compress observations about two seasons in the first two stanzas which sets the tone for the message of the poem; seasons, life, death and power. Consequently, he seeks the power of the mighty west wind to help him in his revolutionary zeal. The imagery is suggestive of swirling energy. In the first four sections Shelley addresses the west wind in three different… 801 Words 3 Pages Philosophical Poem. He compromises himself by saying that he cannot be a leaf or a cloud but when he was young he had a great lovely relationship with the west wind.
Drowned in a boating accident before the age of thirty, his one desire that his words would impact and inspire did not become a reality until long after his departure. It is an interpretation of his saying, If you are suffering now, there will be good times ahead. The first-person pronoun or adjective, varying through 'I', 'me', 'my' appears nine times within fourteen lines, The poet dramatises his own situation by carefully controlled use of the earlier stanzas. Throughout the poem he continually is describing what the wind can do and what he wishes the wind could do for him. The 'corpse within its grave' is juxtaposed with the lyrically literary and azure sister of the spring, whose 'living hues' are an absolute contrast to the death-evoking colours of line 4.
Shelley, in his poem 'Ode to the West Wind,'; uses poignant tone, while using personification and imagery to unravel his theme of nature. His philosophical ideals emphasized the importance of aestheticism and his poetry clearly portrayed the beauty and majesty of the natural world. Once again we see the color blue. The rhyming scheme is aba, bcb, cdc, ded; and a rhyming concept at the end. He things about what it would be like to be a wave at the mercy of the power of the wind. This is a very sinister description of an autumn scene.
It is no wonder why Shelley decided to write a poem of praise in its name. His last long poem was The Triumph of Life. It is described through his excellent use… 1102 Words 5 Pages The wind is one of the most powerful forces known to man. He goes on to describe the leaves as 'Yellow, and black, and pale, and hectic red,' which is awesome. He wants his lips to be the trumpet through which the West Wind awakens the earth such that the West Wind and the poet become one. And Percy Shelley is often thought of as the quintessential Romantic poet Appelbaum x. Be thou me, impetuous one! The wind takes control over clouds, seas, weather, and more.