And, of course, it could even be a favorite time of year. Autumn can be described as the 'twilight months' of the year; a time when the buds have bloomed and are in their full glory; a time when the young have grown and are ready to face the challenges of survival; a time when the old live out their last days before the onset of winter. Normally when you read a short poem, you don't expect to enjoy it or get a good understanding as you would a longer, more complex poem. How does he use sensory images to capture the rare beauty of the season brimming with music that is unheard at other times of the year? Keats also alludes to a certain unpleasantness connected to Autumn, and links it to a time of death. This struck me so much in my Sunday's walk that I composed upon it. This stanza is explaining the changes that spring can hold with animals, plants, and humans. The Autumn holds a sickle in its hand.
Question How does Keats demonstrate the power of nature? The whistling red-breast and the chirping cricket are the common sounds of winter. Leading into the next part of the poem, the author tells of how autumn comes to an end and just how unappreciated the season really is. Countering this view, Andrew Bennett, Nicholas Roe and others focused on what they believed were political allusions actually present in the poem, Roe arguing for a direct connection to the of 1819. The first stanza of the poem represents Autumn as involved with the promotion of natural processes, growth and ultimate maturation, two forces in opposition in nature, but together creating the impression that the season will not end. When we take all this into account, To Autumn begins to read as an all-seeing optic, internalising the very surveillance culture Keats worried about, and itself becoming a spy transcript. Also note the relaxed tone of voice — Keats was never considered one of the high-brow poets, and in fact was criticized for his adherence to simple language he believed, quite honestly, that poetry did not need to be complicated to be worth something , but the overall simplicity of To Autumn is staggering.
Somehow, a stubble-field looks warm — in the same way that some pictures look warm. His motive behind this poem is to employ an understanding that the autumn, which represents the end of life, is just as important as the spring, which represents new life. The personification of autumn is remarkable. The extraordinary achievement of this poem lies in its ability to suggest, explore, and develop a rich abundance of theme withour ever ruffling its calm, gentle and lovely description of Autumn. New York: Humanities Press, 1962. The personification of autumn in this poem is 1791 Words 8 Pages Findings and Recommendations of the John Craftsman Workplace Injury Case Study Rebecca K. His efforts from spring until autumn were dedicated completely to a career in poetry, alternating between writing long and short poems, and setting himself a goal to compose more than fifty lines of verse each day.
In the second stanza, the emphasis is on the characteristic activities of autumn, threshing, reaping, gleaning, and cider making. The trees regrow their leaves and reproduce to make vast forests, populated by animals of all different varieties. Keats' deep respect for nature runs throughout the poem: the idea that nature 'blesses' us with her gifts shows the poet's understanding of the dependence of all living things on the earth's fertility and fruitfulness. The old are often overshadowed by the energy and vitality of the young; yet Keats, by richly describing the glory and blessings of Autumn, tells us that maturity an experience can offer just as much, if not more. I think that I would say that I would read it again for my English class, but I probably won't read it again. It has parallels in the work of English landscape artists, with Keats himself describing the fields of stubble that he saw on his walk as being like that in a painting. In process there is a harmony between the finality of death and hints of renewal of life in the cycle of the seasons, paralleled by the renewal of a single day.
It does not make sense in the beginning but towards the end it starts too make sense. In lines 14—15 the personification of Autumn is as an exhausted labourer. However, this thematic division is only very general. They held me back, with a benignant light. There is movement even in stillness! I'm not completely sure about this—please, someone correct me if I'm wrong—but I believe this was his final work.
The slowing of time is sensual, though the pleasures are subtler when contrasted with the visual riot of the first stanza. What kind of person might autumn be? This was the last great ode he was able to write before he died Prince. As the sun ages, things die. The Ode To Autumn by John Keats A beautiful Ode to a season in gold hues : All I can say is that Keats has truly felt for nature, and weaved this piece with love. It lucidly and wittily describes how beauty lies in every thing. Perhaps he was wondering whether he was to die young like Thomas Chatterton, a celebrated poet who committed suicide aged 17.
But the raptures that critics, poets, and readers have had over this poem should tell you something about what it has meant to a whole lot of different people. It is hard to determine how much of this comes from a consciousness of his own impending death, and how much derives from more general thoughts about mortality. Keats is recreating the sensations of Autumn by employing various techniques. Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reaped furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours. By itself… 1391 Words 6 Pages than the beauty around them, will let life pass them, missing out on the true wonders of the world.
Maybe thats part of the pastoral tradition, but I'm not sure. Keats sees the other side of the coin. There is no direct evidence that Keats was deliberately looking for a more detached style in 'To Autumn', but this appears to be the direction that his writing was moving towards in late 1819, as, for example, in his desire to make The Fall of Hyperion, 'more naked and Grecian' and in his attempts at drama, Otho the Great and King Stephen: A Tragedy. In the third stanza, the speaker tells Autumn not to wonder where the songs of spring have gone, but instead to listen to her own music. So, in the final stanza, the personified figure of autumn of the second stanza is replaced by concrete images of life.
The imagery is richly achieved through the of Autumn, and the description of its bounty, its sights and sounds. Keats was being neither allegorical, nor Wordsworthian. What observations on the human experience might these images suggest? How fine the air -- a temperate sharpness about it. There are no echoes in it, no literary images; all is clear, single, perfectly attuned. Finally, take a snapshot in your mind or better yet, on paper , so you'll always have a powerful memory to return to. The theme of ripeness is complemented by the theme of death and that of death by rebirth.